Tuesday, June 26, 2012

LATEX GLOVES

Some very cool latex gloves. 
They are so life like, when worn they look as if to be a second skin. It's a shame I haven't got any photos yet of the gloves on the body but I'll put some up soon!

 DANIELLE VIDONI©

 DANIELLE VIDONI©

 DANIELLE VIDONI©

DANIELLE VIDONI©

PAINTING ON THE LATEX GLOVES
This is the video captures the process of making the latex gloves.



PEELING OFF THE LATEX GLOVES
This video shows the struggle of peeling off the latex from the arm and hand whilst applying talcum powder to the latex to prevent it from sticking to itself. This video illustrates the strength of the latex, it withstands so much pressure and tensions whilst being pulled over the fingers of the hand.

Tuesday, June 19, 2012

Exploring natural beauty


THE NU PROJECT

The Nu Project is made up of a collection of woman from around the world, photographers come into their homes and capture them in their most natural human state "nakedness". 'The Nu Project' has been focused on capturing women's personalities, quirks and natural beauty. Began in 2005 'The Nu Project' has stayed true to their original vision: 

No professional models 
Minimal makeup 
No glamour. 

"Over 100 women across North and South America have participated in the project.  Without their courage, confidence and trust, none of this would have been possible. We are so thankful for their willingness to open their homes to us" (The Nu Project). 


I can't put any of the images on my blog I can provide the link to them...

http://thenuproject.com/galleries/women-of-north-america-i/


I have to admit from some of the posed and edited photographers I have been looking at of late these images by 'The Nu Project' are really refreshing. There is something really beautiful about the images and I haven't been able to really put my finger on what it was, it was only today as I was writing this entry that I realised what it was that was so appealing, it's the fact these woman are so relatable, there is a closeness in which resonates with these woman. The fact the images are taken in their homes another level of personalism. 'The Nu Project' have done well to provide a sophisticated way of showing naturalism in the female nude. 

Friday, June 15, 2012

Des FILLES ATTACHANTES

UN SHOOT DE KERN POUR LA SAINT-VALENTIN

BY RICHARD KERN, vice.com






What I loved about these images is the way the body has been bound and how this has effected the way in which you read the female body. 
Does the ropes effect the mood of the image? 
I think yes, if you choose to take the ropes into consideration in a sexual way as well as the distraction of facial expressions on the models. Though in their simplest of forms the ropes draw the eye in, it's in the placement of the ropes on the naked female form that makes these images so interesting to my research. 

ARCHIVAL GIRLS
RICHARD KERN, vice.com

EMILY
2000
“This is really great because it’s got videotapes in it, and the little TV that has the video recorder. It looks so old.”


MEL
1999
“She’s a French girl who I shot a million times. She didn’t care about being in porn magazines, which was great because I could sell the photos anywhere.”


SAM 
1994“This was in San Francisco. Barely Legal magazine had just started, and I had just sold my first set to them. I went to San Francisco looking for girls, and this one said she would do it. I imagine she was a stripper because everybody I knew there was in the stripper scene. She had a kid, although the kid was nowhere to be seen. I guess she was about 18 or 19 in this photo.”

I FORGOT HER NAME 
1995“This was another stripper from San Francisco. I don’t remember anything about her… Oh, wait. I do! My doctor at the time told me his marriage was breaking up. It turned out it was because he was having an affair with this girl I photographed. Total coincidence.”

JAIKO 
1993“I still see Jaiko all the time and she still looks really hot. I think she was about 19 here. I met her and shot her when she was just visiting New York from Japan, and then she moved here. She is an A-number-1 girl. She has these incredible boobs.”



What I find so appealing about the photographs of RICHARD KERN is the simplicity of composition being mainly a woman as the focal point, however Kern's photographs can be so very easily miss construed. 
Kern's collection for Vice magazine 'ARCHIVAL GIRLS' is an example of how his photography technique tells a story, the little blurbs under the images allow the viewer to develop a relationship with the image and subject as well as having an educated opinion on the piece, in turn this allows the individual to view the work in a different light. Kern instills an approachability in his work. 



PROPOSAL

I've nearly finished my proposal for the exhibition which is presented in conjunction with MSFW. 
This is a little sneak peak at my model/plan. The image is an example of the platform I wish to develop with latex applied over the top and sides to look as if the flesh of the bodies that stand upon the blocks is in fact beginning to melt off.


Wednesday, June 13, 2012

THE CRYING WOMAN

I drew 'The Crying Woman' in the weeks leading up to assessment. You could say that she is a fair representation of how we were all feeling...


DANIELLE VIDONI©




Monday, June 11, 2012

HOLIDAY times

With assessment over and the next semester looming over my head I thought I'd take a short break from it all and visit my mum. It was so very cold in Main Ridge but with two wood fires to keep me warm I could snuggle up with my kitties whilst looking outside at the last of the autumn leaves clinging limply to their branches as winter begins its onslaught. 
This is a picture I took in the afternoon when the fog was beginning to settle. 

So pretty!

DANIELLE VIDONI©

Tuesday, June 5, 2012

BENEDICTION by Iris Brosch

BENEDICTION


Directed by Iris Brosch
Featuring Benedicte De BaronEdited 
by Natalie Braxton Styling 
by Irma Birka


"The hauntingly beautiful Benediction (3:46) was directed by Iris Brosch and stars Benedicte De Baron. The ultimate female form is presented by Benedicte, as she awakes to a new reality amongst her peers, all of whom are mannequins. Is she real or one of them? Edited by Natalie Braxton with styling by Irma Birka"

Saturday, June 2, 2012

NAKED BRUNCH

So as I casually walked into work the other day Nat asked me how I was feeling and what I'd been up too "WELL" i exclaimed "I just handed in my thesis proposal, thank GOD!". Of course this led onto me explaining what I was basing my thesis research on and out of the blue Nat tells me I should interview her. Little did I know I was working with the awesome performing artist Natalie Bak who was the creator of the "Nude Brunch" held at Bebida cafe during the 2009 Melbourne Fringe Festival. Now of course 2009 was my first year of uni and I had just moved to the city and had NO idea about anything and I'm not even over exaggerating this statement, this was when I was living in St Kilda which I took to be the coolest place in Melbourne, little did I know oh how little I knew. Well I've grown up quite a bit now and given the opportunity I would have loved to be part of this experience. Back to Nat.
I cant wait to interview her about the public response to her "Nude Brunch" concept which I think is an amazing social experiment that also offered something for the individual an opportunity to explore ones self. 

"It's all about celebrating collaboration and the human form but mostly it's about artists who are so willing to expose themselves - a literal tribute to that." Natalie Bak.

Basically the "Nude Brunch" was an event where you go and view performers whilst eating some delish food the only catch is, is that you as the audience are asked to leave you clothes at the door and most of the performers are naked or near naked.



Ive been reading a few articled from both Melbourne and Edinburgh about what Nat was doing, I say Edinburgh because she also took it to the Edinburgh film festival. It has seemed to be all very positive publicity but I feel a lot of people and article writers have been misleading in how they have written about the experience. An over sexualisation of ideas have been expressed especially in news article heading as if to just exploit the nude nature of the event as a way to get people to read the article by simply slipping "Sexy Experience" in or just "sexy" Into the headline and it is through this I found people leaving negative comments due to they misinterpretation and lack of appreciation due to their blatant ignorance, like these absolute DICKHEADS!! 

  • Pixie of Kingscliff NSW Posted at 9:34 AM October 07, 2009 
    See what I mean....you cant even have lunch without sex being involved....again, suffocating.....
  • Stephen Posted at 11:04 AM October 07, 2009
    We need to realise that we, as human beings, are not animals. We have souls and must all appear before the judgement seat of Christ to give an account of our deeds done in the body. These "artists" are not content with enjoying sin themselves but seem bent on further corrupting our society. Bestial, inhuman behaviour is sinful (Romans 13:13) and unless we repent of our sins we will perish eternally.

    evanrm Posted at 1:34 PM October 07, 2009
    Not everyone has a loose sense of modesty and dignity, even artists, it seems.
  • Matt R of Melbourne Posted at 1:40 PM October 07, 2009
    overeducated underachievers Another Bach of Art living of government grants (and trying to spend as LITTLE cash as possible, so they can pocket the rest)
  • HOW ABOUT YOU WATCH THIS AND SEE HOW YOU ARE ON A SLOW DECLINE



Heres a good one though your awesome Mark

Mark Vanselow of Melbourne Posted at 1:43 AM October 07, 2009
Congratulations, Natalie! You did an amazing job in organising this event and making it a memorable day! Kudos to all the artists involved and everyone who attended the event, as well as Bebida Cafe for hosting the function. Melbourne and other cities definitely need more gigs like this one. Hey, I hope you do this again next year! More people should get on board, shed their clothes for a couple of hours and really enjoy themselves; Natalie is a wonderful hostess and she really made certain every single person had a wonderful experience. I hope this goes to show that you don't need formal training in event management and marketing to put on a fun and vibrant do. You just need a novel idea, a little help from talented like-minded individuals, hard work and the courage to push the envelope. Natalie has a fabulous idea, and this is only the beginning. I hope the Melbourne Fringe Festival does something like this on a much bigger scale in 2010. Again, well done, Natalie! 

Comments were thanks to the article writen b

 
  • AAP 
  •  
  • October 07, 2009. For The Daily Telegraph

  • http://www.dailytelegraph.com.au/news/weird/nude-brunch-on-the-fringe/comments-e6frev20-1225783515250






    !! UPDATES COMING SOON !!
















    The Emperor’s New Clothes


    This is a little story I heard for the first time the other day, my friend thought it would help me with my thesis. The story really is quite sweet.

    Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. 
    He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. 
    He had a different suit for each hour of the day; and as of any
    other king or emperor, one is accustomed to say, "he is sitting in council," it was always said of him,"The Emperor is sitting in his wardrobe."
    Time passed merrily in the large town which was his capital; strangers arrived every day at the court. 
    One day, two rogues, calling themselves weavers, made their appearance. 
    They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character.
    "These must, indeed, be splendid clothes!" thought the Emperor. "Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately." And he caused large sums of money to be given to both the weavers in order that they might begin their work directly.
    So the two pretended weavers set up two looms, and affected to work very busily, though in reality they did nothing at all. They asked for the most delicate silk and the purest gold thread; put both into their own knapsacks; and then continued their pretended work at the empty looms until late at night.

    "I should like to know how the weavers are getting on with my cloth," said the Emperor to himself, after some little time had elapsed; he was, however, rather embarrassed, when he remembered that a simpleton, or one unfit for his office, would be unable to see the manufacture. To be sure, he thought he had nothing to risk in his own person; but yet, he would prefer sending somebody else, to bring him intelligence about the weavers, and their work, before he troubled himself in the affair. All the people throughout the city had heard of the wonderful property the cloth was to possess; and all were anxious to learn how wise, or how ignorant, their neighbors might prove to be.
    "I will send my faithful old minister to the weavers," said the Emperor at last, after some deliberation, "he will be best able to see how the cloth looks; for he is a man of sense, and no one can be more suitable for his office than be is."
    So the faithful old minister went into the hall, where the knaves were working with all their might, at their empty looms. "What can be the meaning of this?" thought the old man, opening his eyes very wide. "I cannot discover the least bit of thread on the looms." However, he did not express his thoughts aloud.
    The impostors requested him very courteously to be so good as to come nearer their looms; and then asked him whether the design pleased him, and whether the colors were not very beautiful; at the same time pointing to the empty frames. The poor old minister looked and looked, he could not discover anything on the looms, for a very good reason, viz: there was nothing there.

    "What!" thought he again. "Is it possible that I am a simpleton? I have never thought so myself; and no one must know it now if I am so. Can it be, that I am unfit for my office? No, that must not be said either. I will never confess that I could not see the stuff."
    "Well, Sir Minister!" said one of the knaves, still pretending to work. "You do not say whether the stuff pleases you."
    "Oh, it is excellent!" replied the old minister, looking at the loom through his spectacles. "This pattern, and the colors, yes, I will tell the Emperor without delay, how very beautiful I think them."
    "We shall be much obliged to you," said the impostors, and then they named the different colors and described the pattern of the pretended stuff. The old minister listened attentively to their words, in order that he might repeat them to the Emperor; and then the knaves asked for more silk and gold, saying that it was necessary to complete what they had begun. However, they put all that was given them into their knapsacks; and continued to work with as much apparent diligence as before at their empty looms.
    The Emperor now sent another officer of his court to see how the men were getting on, and to ascertain whether the cloth would soon be ready. It was just the same with this gentleman as with the minister; he surveyed the looms on all sides, but could see nothing at all but the empty frames.
    "Does not the stuff appear as beautiful to you, as it did to my lord the minister?" asked the impostors of the Emperor's second ambassador; at the same time making the same gestures as before, and talking of the design and colors which were not there.
    "I certainly am not stupid!" thought the messenger. "It must be, that I am not fit for my good, profitable office! That is very odd; however, no one shall know anything about it." And accordingly he praised the stuff he could not see, and declared that he was delighted with both colors and patterns. "Indeed, please your Imperial Majesty," said he to his sovereign when he returned, "the cloth which the weavers are preparing is extraordinarily magnificent."
    The whole city was talking of the splendid cloth which the Emperor had ordered to be woven at his own expense. And now the Emperor himself wished to see the costly manufacture, while it was still in the loom. Accompanied by a select number of officers of the court, among whom were the two honest men who had already admired the cloth, he went to the crafty impostors, who, as soon as they were aware of the Emperor's approach, went on working more diligently than ever; although they still did not pass a single thread through the looms.
    "Is not the work absolutely magnificent?" said the two officers of the crown, already mentioned. If your Majesty will only be pleased to look at it! What a splendid design! What glorious colors!" and at the same time they pointed to the empty frames; for they imagined that everyone else could see this exquisite piece of workmanship.
    "How is this?" said the Emperor to himself. "I can see nothing! This is indeed a terrible affair! Am I a simpleton, or am I unfit to be an Emperor? That would be the worst thing that could happen--Oh!
    the cloth is charming," said he, aloud. "It has my complete approbation." And he smiled most graciously, and looked closely at the empty looms; for on no account would he say that he could not see what two of the officers of his court had praised so much. All his retinue now strained their eyes, hoping to discover something on the looms, but they could see no more than the others; nevertheless, they all exclaimed, "Oh, how beautiful!" and advised his majesty to have some new clothes made from this splendid material, for the approaching procession. "Magnificent! Charming! Excellent!" resounded on all sides; and everyone was uncommonly gay. The Emperor shared in the general satisfaction; and presented the impostors with the riband of an order of knighthood, to be worn in their button-holes, and the title of "Gentlemen Weavers."
    The rogues sat up the whole of the night before the day on which the procession was to take place, and had sixteen lights burning, so that everyone might see how anxious they were to finish the Emperor's new suit. They pretended to roll the cloth off the looms; cut the air with their scissors; and sewed with needles without any thread in them. "See!" cried they, at last. "The Emperor's new clothes are ready!" And now the Emperor, with all the grandees of his court, came to the weavers; and the rogues raised their arms, as if in the act of holding something up, saying, "Here are your Majesty's trousers! Here is the scarf! Here is the mantle! The whole suit is as light as a cobweb; one might fancy one has nothing at all on, when dressed in it; that, however, is the great virtue of this delicate cloth."
    "Yes indeed!" said all the courtiers, although not one of them could see anything of this exquisite manufacture.
    "If your Imperial Majesty will be graciously pleased to take off your clothes, we will fit on the new suit, in front of the looking glass."
    The Emperor was accordingly undressed, and the rogues pretended to array him in his new suit; the Emperor turning round, from side to side, before the looking glass.
    "How splendid his Majesty looks in his new clothes, and how well they fit!", everyone cried out. "What a design! What colors! These are indeed royal robes!"
    "The canopy which is to be borne over your Majesty, in the procession, is waiting," announced the chief master of the ceremonies. "I am quite ready," answered the Emperor. "Do my new clothes fit well?" asked he, turning himself round again before the looking glass, in order that he might appear to be examining his handsome suit.
    The lords of the bedchamber, who were to carry his Majesty's train felt about on the ground, as if they were lifting up the ends of the mantle; and pretended to be carrying something; for they would by no means betray anything like simplicity, or unfitness for their office.
    So now the Emperor walked under his high canopy in the midst of the procession, through the streets of his capital; and all the people standing by, and those at the windows, cried out, "Oh! How beautiful are our Emperor's new clothes! What a magnificent train there is to the mantle; and how gracefully the scarf hangs!" in short, no one would allow that he could not see these much-admired clothes; because, in doing so, he would have declared himself either a simpleton or unfit for his office. Certainly, none of the Emperor's various suits, had ever made so great an impression, as these invisible ones.

    "But the Emperor has nothing at all on!" said a little child. "Listen to the voice of innocence!" exclaimed his father; and what the child had said was whispered
    from one to another.

    "But he has nothing at all on!" at last cried out all the people. The Emperor was vexed, for he knew that the people were right; but he thought the procession must go on now! And the lords of the bedchamber took greater pains than ever, to appear holding up a train, although, in reality, there was no train to hold.


    There are several public domain editions of “The Emperor’s New Clothes.” This version comes from Project Gutenberg.